Eliza Clifford: “The Flowers We Keep” Reviewed in Washington City Paper
VisArts Welcomes Chief Executive Officer Lisa Marie Ryder
Hedieh Javanshir Ilchi: “Tell Me How to Weave My World from These Dark Filaments” Reviewed in DisCerning Eye
“Entangled,” “ETA,” and “Seed Float” Reviewed in DisCerning Eye
Katherine Tzu-Lan Mann: “Seed Float” Reviewed in East City Art
TLaloC: “Los Extranjeros” Reviewed in DisCerning Eye
VisArts Awarded Windgate Grant to Expand Center for Craft Studies
VisArts Announces New Board President and Welcomes New Board Members
Nora Sturges’ “Darwin: The View from the Road” reviewed in The Washington Post
“Gestures of Disappearance,” curated by Murat Cem Mengüç, reviewed in The Washington Post
“Contours of the Interior,” Kei Ito’s “A Dream of Armageddon,” and Emily Francisco’s “The Ocular Harpsichord Revisited” reviewed in The Washington Post
VisAbility Art Lab Artist Justin Valenti Presented With Disability Culture Award by Governor Moore
