VisArts Visiting Faculty
Reni Gower
Gower received a 2020 Pollock-Krasner Foundation Grant
and in 2017 was awarded SECAC’s Award for Outstanding Artistic Achievement. In 2014, Gower received the College Art Association’s Distinguished Teacher of Art Award, as well as distinguished teaching awards from Virginia Commonwealth University and VCUarts. Her artwork is represented in many prestigious collections and has been exhibited at international and national venues for over 40 years.
Martha Grover
Martha Grover is a functional potter, living in Bethel Maine, creating thrown and altered porcelain pieces.
She attended Bennington College in Vermont, where she received her undergraduate degree in Architecture. Martha received her MFA in ceramics from the University of Massachusetts Dartmouth. She has been awarded multiple residencies and fellowships including the Fogelberg Fellowship at the Northern Clay Center in Minneapolis, Sage Scholarship and Taunt Fellowship at the Archie Bray Foundation, and a yearlong residency at Red Lodge Clay Center. Her work has been shown nationally and internationally and can be found at galleries across the country. Her work has been featured in many publications including Ceramics Monthly, Clay Times, Pottery MakingIllustrated, and the Lark 500 series, and was the cover feature of Ceramic Monthly’s May 2010 issue. For images and more information, visit her website www.MarthaGrover.comArtist StatementI seek to enhance the experience of interacting with functional objects. I work toward creating a sense of elegance for the user while in contact with each porcelain piece. Reminiscent of orchids, flowing dresses, and the body, the work has a sense of familiarity and preciousness. Direct curves are taken from the female figure, as well as the fluidity of a dancer moving weightlessly across the floor. The space between elements is electrified with anticipation and tension. I think of the fluid visual movement around a piece, as a choreographer would move dancers across a stage. Transmitting desire-there is a sense of revealing and concealing, a layering of details that serves to catch our attention immediately, and then the details draw us in, to make a closer inspection. In our lives, we often move past the objects surrounding us at a very quick pace. My work generates a moment to pause. My goal is to create an undeniable presence, one that acts as an invitation to explore the work thoroughly, taking time to know all of its many facets. Only through sustained interaction we can truly know and appreciate someone or something.
Armando Lopez-Bircann
Armando Lopez-Bircann (Arma Dura) is a Latinx artist that engineers wearable sculptures,
digital media and performances. Their Extended Reality (XR) practice is framed by immigrant narratives, genderfluid expression, digital native sensibilities and a Queer Ecofeminist lens. They work as an independent artist and have also designed works in collaboration with dancers, circus performers, photographers, videographers, musicians and other artists. Notable accomplishments include an Artist Talk at the Hirshhorn Museum, being a DC Commission of Arts and Humanities fellow, and a Wherewithal Research Grant recipient. They graduated from Concordia University, the Corcoran College of Art + Design and are based in Washington DC.
Katie Macyshyn
Katie Macyshyn (they/she) is a performance artist and experiential art practitioner
serving collaborative new media art. Their mixed media practice spans makeup art, wearables, installation, sound, video, and more. They are also an art instructor and songstress who specializes in the therapeutic benefits of creative play in early childhood and queering classrooms. Macyshyn holds a BFA from the Corcoran School of the Arts & Design at George Washington University. She lives in Mount Rainier, MD, and is from Toms River, NJ.
Olivia Rodriguez
Olivia Rodriguez investigates cycles of decay and birth within territories, both natural and man-made.
include Pennsylvania Academy of Fine Arts, Goucher College, Addison Ripley Gallery, Curator’s Office, Automat, Heiner Contemporary, and Samson Projects. Recent grants include the Fine Arts Venture Fund and Maryland State Arts Council.
www.oliviarodriguez.net
Barbara Rose
Barbara Rose (she/her) is an artist, teacher, writer, and designer
who wants to help everyone learn to enjoy drawing. She grew up in Philadelphia where, from an early age, she took public transportation for an hour every Saturday morning – carrying a portfolio bigger than she was– to study at Philadelphia College of Art, now part of the University of the Arts. There she learned to love drawing from life. Barbara studied fine arts at Yale University, and when she moved to Boston, at the School of the Museum of Fine Arts. She relocated to Rockville last year and is thrilled to be able to draw outdoors year-round! In addition to painting and drawing, she has been a graphic designer and writer for 30 years. Barbara has led over 1,000 sessions teaching English to adults using songs.
Michelle Rothwell
Michelle is a practicing Fine Artist, Designer, Educator, Author, and Founder of
Holistic Creativity: A Transformational Path to Creative Fulfillment. She has over 30 years of professional experience. Her work has been shown in national solo, juried, and group shows. Michelle’s client list includes DuPont, Proctor & Gamble, GlaxoSmith-Kline, Merrill Lynch, SAP, and others.
As an Associate Professor of Art, Media, and Design, she developed college degree programs and dozens of courses, including founding the Game Art, BFA at the University of the Arts in Philadelphia. In August of 2019, she published a self-guided course book for the Holistic Creativity System. Michelle has been a student of Consciousness Drumming and Mystical Healing practices for nearly 20 years.
Websites: https://michellerothwell.org/ https://www.holisticcreativity.com/
Catherine White
Catherine White weaves together throwing and handbuilding techniques.
Objects are made with markings and irregularities that intentionally reveal the touch of the hand. White collects and poetically uses diverse raw materials in her anagama and gas-fired kilns. Clay work is intertwined with extensive drawing, painting, and collaging. White has an MFA in ceramics, studied painting in Aix-en-Provence, France and taught ceramics for many years at the Corcoran College of Art + Design in Washington, DC. She has had commissions for state gifts from President Obama and Michelle Obama. She is represented in both the Renwick and Sackler Galleries of the Smithsonian. She has had yearly commissions from Omen-Azen since 1982, a Japanese restaurant in New York City. She has written for “The Studio Potter” and “The Log Book” examining failure, drawing, materials and choice.