Stone is often used to commemorate the dead: it is a symbol of strength, stability and permanence. After witnessing the death of a loved one and experiencing grief, I began to ponder mortality and the desire for permanence. What I realized was nothing is permanent. Even rocks get worn away by wind and water, and eventually disappear. My use of materials reflects the fact that what we perceive to be permanent is actually ephemeral.
In my work, I explore how far I can push the boundaries of imitations in order to inspire reverence and respect for its visual effect. I do not aim to trick the viewer with the faux, but rather generate life from it.
Most of my sculptures are hollow inside in order to emphasize that there is a void under the surface of a monumental structure. Opposing states coexist: hollowness inside bulkiness, physical lightness inside visual heaviness, and immanence within emptiness. They are only surfaces, yet they may be more than that.”
About the Artist:
Nara Park is a sculptor and installation artist based in Washington, D.C. She holds a B.F.A. in General Fine Arts followed by an M.F.A. in Sculpture from the Maryland Institute College of Art, where she received the Outstanding Student Achievement in Contemporary Sculpture Award by the International Sculpture Center and Henry Walters Traveling Fellowship. She is a recipient of the DC Commission on the Arts and Humanities Fellowship, the Young Artist Award from the Trawick foundation and the Hamiltonian Artists Fellowship.
Park’s work has been on exhibit at numerous venues including Contemporary Arts Center New Orleans, The Phillips Collection, Grounds for Sculpture, Baltimore/Washington International Airport and American University Museum at the Katzen Arts Center. Her work has been featured in the Sculpture magazine, The Washington Post and Artnet News. Her public collections include The Phillips Collection in Washington, D.C. naraparkstudio.com